MICHAEL ABRAHAMSON

Michael Abrahamson is an award-winning architectural historian and critic whose research explores the materiality of buildings and the methods of architectural practice across the twentieth century. Through these lenses, his writing reveals the systems of creativity, subordination, and legitimation that undergird the creation of architecture in the professional office and on the construction site. His Ph.D. dissertation at the University of Michigan centered on four critical projects by the late modernist architectural firm Gunnar Birkerts and Associates, in an attempt to square the assertions of authorial individuality proferred by its figurehead with the day-to-day bureaucratic work of those he employed. He is currently at work on a book project based on this research titled The Introspective Professional: Practicing Architecture Between Genius and Bureaucracy. The book will intertwine methods from business and labor history with cultural studies to narrate the history of post-WWII practice in the United States, using Gunnar Birkerts and Associates as its primary case study.Michael published the peer-reviewed research article "Actual Center of Detroit" in the Journal of the Society of Architectural Historians, which unpacked the distinctive design for that city's General Motors Building prepared by Albert Kahn Associates. He received the Society of Architectural Historians' Founders Award for this article in 2020. His writing has appeared in the journals San Rocco, Pidgin, Project Journal, and the Journal of Architectural Education, the magazines The Architectural Review, CLOG and Take Shape, as well as the newspaper The Sunday Times (London). In addition, Michael has published exhibition catalog essays about the ideological and political aspects of the architectural style known as Brutalism for the Deutsches Architekturmuseum Frankfurt's SOS Brutalism, as well as the use of concrete panel construction methods in the United States for ArkDes Stockholm's Flying Panels. He co-edited issue VIII of the University of Utah School of Architecture's journal Dialectic on the theme of subverting, which received a publication grant from the Graham Foundation for Advanced Studies in the Fine Arts.